Highway Typography Article in the New York Times.
August 13th, 2007 by stephen

“The fundamental flaw of Highway Gothic is that the counter shapes are too tiny,” Montalbano told me, referring to the empty interior spaces of a typeface, like the inside of an “o.” When viewed from a distance, and especially at night under the glare of high-beam headlights, the tightly wound lowercase “a” of Highway Gothic becomes a singular dense, glowing orb; the “e,” a confusing blur of shapes and curved lines. Meeker puts it more bluntly: “They look like bullets that you couldn’t put a pin through.”
New York Times Article.
Clearview Site.
http://en.wikipedia.org/wiki/Clearview_(typeface)
Leave a Reply
You must be logged in to post a comment.